"Western Winds" 24" x 36"
Just doing their thing. That is strength. That is the feeling I had when watching these bison. Blustery weather arises. Grit can blow and wind can sweep, yet they carry on. I aimed to capture their genuine strength.
The internet and social media are hurdles. I'm only on Linkedin not because I'm not social; I don't do my best work when I see too much of the same content. I have also found a need to limit technology in the studio. I have internet, I stream music, but I limit browsing. I've heard it argued that artists from the past would have used the tools of modern technology if available. Maybe so, but would their art be better for it? Probably not.
Others have differing viewpoints, but this is what works for me. I'm not a technophobe, I just believe it can homogenize and sterilize, like synthesizers in music. The quirks of the human hand bring warmth and soul.
I really don't like talking much about it. The art should say it. Proof should be in the painting.
Looking forward! Gearing up for some Texas whitetail! Our bucks are the best yet. Almost all have rubbed off their velvet and are beginning to bulk up. Can't wait for the show!
I am finishing up several paintings. "Under American Skies" 36" x 48" is on the easel awaiting a frame. I'll do the finishing touches; something may catch my eye to change.
I had this picture of the landscape in my files for years, waiting for the right idea. I came across it recently and it clicked. The title needed to be fitting of the beauty of bison on the western prairie. I love the western expanse and wanted to do justice to its depth. I kept in mind the peacefulness of the prairie and the grazing bison and thought the silver-toned light would give an air of tranquility.
On the easel is a large whitetail for InSight Gallery. I love the feeling of stepping into the scene! I have spot-on reference. I've gathered a good amount of reference over the years and I'm making strides in getting more these days. Legwork is essential. Reference trips this fall should solidify a couple of ideas I have simmering.
Texas Masters Show at InSight Gallery, March 2, 2018
"La Gran Sombra" (The Big Shadow) 22" x 28" oil/board InSight Gallery - Texas Masters Show
This painting is of a South Texas whitetail from a friend's ranch near Cotulla, TX. Two items set this painting into motion, the whitetail buck and the large acacia tree, (Huisache) he is emerging from behind.
The largest of these bucks instinctively hug the shadows of very early morning or late day, when the shadows become great. The thick expanse of brush south of San Antonio offer ample cover.
I really enjoy the raw beauty of the Brush Country. There is a peace that comes over me sitting in the stand and yet when an animal emerges my heart races with excitement. The camera captures the details and my paint records in sketch, the energy and emotion of the moment.
I can't tell you how many times I revised the drawing for this buck. I took it to different easels, different rooms, in the frame and without. After a break, I'd go back to wipe him clean and begin again. I was determined not to begin painting until I was fully satisfied.
One slight shift of the leg and he was too tense. After much tweaking, I was ready to paint!
I'm keeping several paintings under wrap. I'm doing this more lately...living with them. Getting to the point without forcing. Letting the painting slowly develop with careful editing. It's an easier thing to do now at forty-nine.
"Gillespie Gold" was such a painting.
"Gillespie Gold" 22" x 35"
Another example that I held on to before releasing was "Timber's Edge".
"Timbers Edge" 24"x36"
I currently have three paintings I have been toggling. Not ready to show; they're months in the making. I rack myself making certain I won't later regret them leaving my hands. This is more than income. Art represents beauty, order, nature and all that is good. I deeply regret when I don't hold up my end in some small way. Comment and critique are for others to decide merit. I have to hold to the standards I set. To pull from a previous post, "run the good race".
Inspiration comes from the strangest of places! Recently I found Valisa watching harness horse racing on one of those upper cable channels. It was unusual enough to stop me. In 14 years, I have never seen her do this. Valisa grew up in Florida and her dad liked visiting the racetracks and jai alai. She was caught in a nostalgic moment.
These horses are incredible athletes with graceful long strides reaching speeds of 30mph. The race went the first lap without a break-away. The jockeys (called drivers) were obviously holding back. One name stuck out, Major Masterpiece. Very cool name! By the second lap, I found myself rooting for this horse on name alone.
That is what we artist yearn for, Major Masterpiece! If we paint it all the better, but someone, step up! Paint, make it count!
Lost in the moment I thought, "GO!"...Major Masterpiece was well behind but in a flash bolted to the lead. He was flying. The announcer was hyped with excitement as Major Masterpiece crossed to win. With the quintessential snap of a 1940's radio announcer, he proclaimed, "Major Masterpiece has fled the scene!"
It all resonated so well! Such a springboard of inspiration from such an unlikely source. I remind myself, good things are worth waiting for. With fresh eyes and renewed spirit, I go back to the studio.
Can't believe how fast time is passing. After focusing spring on paintings for Legacy Gallery in Jackson Hole, I am back in Texas getting inspired for the next painting, a whitetail piece for Insight Gallery. Like many of my paintings, I've tinkered with this design in my mind for a while.
I have a faint grid drawing, have the general design sketched in charcoal and refined it. After the initial drawing, I decided I didn't like the buck's back legs stretched quite so far out and moved them in slightly. Also, initially the closest doe was in a different position. At this point, I have my color wash down but found a couple of things I wanted to tweak. I left it overnight to come back with fresh eyes this morning. (note: coffee cup on easel.) Overall satisfied, I wanted to take a look at it in a frame I was considering. I will review it after finished and decide if a new frame is in order. Behind me are small plein air studies and my sketch that will work as a guide throughout painting.
Painter of western wildlife and landscapes, constantly seeking to balance impressionism and realism sans trickery. Brian works as a full time artist in Central Texas. Exhibited at Rockwell Museum, Briscoe Museum, National Cowboy and Western Heritage Museum, and National Museum of Wildlife Art.