I had the opportunity to branch out and explore a new subject. Long highly regarded in Europe, hunting boars, or wild hogs have quickly become a trending sport in this country. I approached this painting with personal experience of their extreme intelligence and craftiness. They present a true challenge for even the most seasoned. The main boar's lineage is from European boars imported for hunting in the early 1900's. I took artistic liberty purely for effect. I had a terrific time painting this and was completely satisfied by its marriage to the frame. I'm honored my endeavor was recognized by Texas Outdoors Journal. They placed it on the cover of their May 2022 issue.
𝑴𝒊𝒅𝒏𝒊𝒈𝒉𝒕 𝑴𝒂𝒓𝒂𝒖𝒅𝒆𝒓𝒔 ©2022 oil/board 14" x 11"
I'm nostalgic. Flat-out nostalgic. I enjoy steam engine locomotives, old classic cars, and chicken dinner at Ma Grimm's house on Sundays. I really miss those Sundays. That translates to my paintings. My wife recently told me I had a reoccurring theme in my paintings of an animal looking back. I never looked at it that way, but I guess it could be true. When I'm designing a painting, I think as if I'm one of the subjects. Animals interact in all different and sometimes hilarious manners. They are curious. After a long dry spell, our whitetail will frolic in a puddle just to splash or chase each other as if they were playing tag. They often look back. Some look for familiar changes due to poor eyesight, among other reasons. As I'm at the drawing board, I question what the animal I'm about to paint hears, thinks, and feels. At times on the prowl, or overtaken by hormones and age-old impulses, or sometimes simply grazing.
This brings me back to, well, looking forward. I have opportunities to revisit wildlife that I've not painted recently and explore new ones. As nostalgic as I may be, I am thoroughly fired up about what's ahead. It is now. Like classic cars, traditional, wildlife art is timeless. Not much time to look back these days. Let's look forward!
I'm deeply grateful to the good folks at Texas Outdoors Journal for honoring my painting, "Points of Interest" with their October cover. This publication is THE resource for outdoors Texas and can be found on newsstands across the state. TOJ Outdoor News Show is celebrating their 29th year on the radio.
For more information: TOJ I live with a painting before it's sent off, the longer the better. I turn it away from view to later return to it, flip it upside down, study, review, only to live with it a week or two more. The last review before delivery usually loops through a process of me pondering a myriad of what-ifs. I intensely study ways to unjumble thoughts and impulses. Simply saying what one wants to say is a baffling pursuit. With paint, it can be a rabbit hole.  Early last summer we noticed a particular fawn. Short-legged, a little gawky, she seemed to prefer us to her peers. If we sat on the porch to enjoy the evening, "Lil Bit", as my wife named her, came to visit. Her mother's grunts were useless as "Lil Bit" scampered up unabashedly. With no other deer in-sight, she disregarded chainsaw activity, and burning brush to graze alongside us during chores. When we took to a hotel during our February ice storm, we left a supplement of corn nearby for the wildlife. Two does and a variety of birds were lost, but Lil Bit appeared unscathed. If this little doe has anything, she has moxie. Although she is becoming more doe-like and visits less frequently, her trailblazing style is infectious.
The great people at Sporting Classics were kind enough to include my painting "Gillespie Gold" in the January/February issue. The painting is featured in the short story by Robert Ellis, "Sermon from the Mount".
 I'm honored to have "Hondo Honcho" as the cover for October's issue of Texas Outdoors Journal. TOJ is the go-to publication for game and conservancy in Texas.
"Heads Up" could well be the theme for 2020. Much maligned, the year will go down in the history books as a heck of a tough year to get through. However, when things go awry, opportunities are born! I won't sit and cry in my oatmeal, it's time for work and as my wife says, "At least we don't have a skunk in the attic". Well said. These thoughts stem from a commission destroyed in freight shipping. Other artists told me it would happen eventually. Yep, Murphy's law caught up to me. I had to adjust plans, create a painting to surpass the original, order a new frame, and negotiate reimbursement for the original with the shipper. I'm one to believe that no experience is without a reason and I'm stubborn enough to not allow this experience to eat at me. Let's keep our heads up, get out there and get after it! In response to the change of schedule I painted "Heads Up" for The Museum of Western Art, Round Up Show and Sale. Always wary this buck has raised his head from a quick graze. I hope it is a scene many can relate to! The 37th Annual Roundup at The Museum of Western Art in Kerrville, TX will be held Sept 26 -Oct 31.
Back in early 2019 in planning paintings for the 2020 show at InSight Gallery, I decided I wanted to paint a moonlit longhorn scene. I got inspired after seeing such a scene after a long day of reference gathering.  Studio windows are installed, but finish work postponed to not interfere with show schedule. I waited for well lit nights to do some plein air color studies. As I designed the piece I realized the size needed to be substantial. With my sketch on paper, I begin sketching on the gessoed board with paint. Diagonal lines in pencil make it easier to scale.  After the initial sketch is in place, I pay closer attention to anatomy. I continue to refine.  Now I begin to put a wash down. This will give a warm undertone.  Jumping forward I begin to refine in color. I continue this process until completion. Although the scene is serene, I wanted a shimmer and movement in the light. Western history and cattle lore often centered around the night watch. The stars are bright on this night, but the longhorns take center stage. Insight Gallery The West & The Wild Brian Grimm & David Griffin Reception May 1, 2020
A strong fall cold front arrived bringing an early freeze. Ideal weather for our whitetail, they appeared oblivious to the frigid temperatures. Our kids visited with their blue heelers and the deer made quick game of these two porch dogs. The does came to taunt each morning casually bounding over the fence when time arose. This went on each morning until a buck interrupted with more pressing issues. The bucks made fast haste of the cold snap. The rattling of tines were heard most evenings echoing across the valley. It's the timeless, sweet music of nature that feeds the soul. I'm reminded of what fuels me. The new windows overlooking our valley have made the studio a joy to work in and I'm eager to get painting with each sunrise. Much like the blue heelers, I have never been one to let go of a chase.  "Stickers & Stones" 24" x 32" oil, InSight Gallery Show April 2020 Art collecting has similar sensibilities. A collector may chase the piece that got away, the one that sold out from underneath them or engage in a marathon hunt for that perfect piece of art. That too is part of the sport of life and I'm told it is thoroughly enjoyable. "Stickers & Stones" will be included in a two man show I'm having along with artist David Griffin, April 2020 at InSight Gallery. I'll select 6 - 10 paintings for the show. I'll have more on the remodel, which has been a great journey, and what's on the easel. Stay tuned! We made the move! I hope it is our last! We moved back to Fredericksburg and closed on our home last week. Some remodeling of studio space should give plenty of north light and room to work. I am eager! It may take longer on landscaping and living space, but our contractor is on the same page that the studio takes top priority. Fortunately, I have found space to work until the studio is completed. In the midst of the move, I was commissioned to paint a steer painting. I'm doubly honored as the couple is new to collecting western art.  "Trails that Lead to Water" 36" x 48" I wanted to play with the light on the bluff with the blue tones of the shadows on the main longhorn. He could have been bathed in light, but I wanted to steer away from the obvious, (no pun intended). The painting is a large 36" x 48" and I wanted it to echo the rugged beauty of the west.
I hope to update soon with our move -in and finished studio! |
Brian GrimmPainter of western wildlife and landscapes, constantly seeking to balance impressionism and realism sans trickery. Brian works as a full time artist in Central Texas. Exhibited at Rockwell Museum, Briscoe Museum, National Cowboy and Western Heritage Museum, and National Museum of Wildlife Art. 
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