Brian Grimm On the Easel

How to Say It

3/14/2021

I live with a painting before it's sent off, the longer the better. I turn it away from view to later return to it, flip it upside down, study, review, only to live with it a week or two more. The last review before delivery usually loops through a process of me pondering a myriad of what-ifs.
I intensely study ways to unjumble thoughts and impulses. Simply saying what one wants to say is a baffling pursuit. With paint, it can be a rabbit hole.

Early last summer we noticed a particular fawn. Short-legged, a little gawky, she seemed to prefer us to her peers. If we sat on the porch to enjoy the evening, "Lil Bit", as my wife named her, came to visit. Her mother's grunts were useless as "Lil Bit" scampered up unabashedly. With no other deer in-sight, she disregarded chainsaw activity, and burning brush to graze alongside us during chores.

When we took to a hotel during our February ice storm, we left a supplement of corn nearby for the wildlife. Two does and a variety of birds were lost, but Lil Bit appeared unscathed.

If this little doe has anything, she has moxie. Although she is becoming more doe-like and visits less frequently, her trailblazing style is infectious.

This pamphlet was recently unearthed in unpacking. From my photo on the back, it has to be from around 2001. Dalhart Windberg purchased one my paintings at an outdoor show and invited me to show at his gallery. That purchase fed me. It fueled my enthusiasm and confidence as well as literally help put food on the table. It is still a mystery to me, but it opened the door.

As I said, painting can be a rabbit hole. I can get so wrapped up in work that I forget the moxie of my past. After a day in the studio, there are times when I just have to let it be, take my wife to an old wooden dance floor and twirl her around to clear my head.

I'm reminded of the saying this is a marathon, not a sprint. My exuberance may have led me all over the spectrum of subject matter, but it takes a while to grow as an artist, to settle into the work of delving into design, the aesthetic of the paint, and focus on the subject of western wildlife.

Heads Up

8/9/2020

"Heads Up" 10" x 12" The Museum of Western Art Roundup Show (830) 896-2553

"Heads Up" could well be the theme for 2020. Much maligned, the year will go down in the history books as a heck of a tough year to get through. However, when things go awry, opportunities are born! I won't sit and cry in my oatmeal, it's time for work and as my wife says, "At least we don't have a skunk in the attic". Well said.

These thoughts stem from a commission destroyed in freight shipping. Other artists told me it would happen eventually. Yep, Murphy's law caught up to me. I had to adjust plans, create a painting to surpass the original, order a new frame, and negotiate reimbursement for the original with the shipper. I'm one to believe that no experience is without a reason and I'm stubborn enough to not allow this experience to eat at me.

Let's keep our heads up, get out there and get after it! In response to the change of schedule I painted "Heads Up" for The Museum of Western Art, Round Up Show and Sale. Always wary this buck has raised his head from a quick graze. I hope it is a scene many can relate to!

The 37th Annual Roundup at The Museum of Western Art in Kerrville, TX will be held Sept 26 -Oct 31.

Spanish Dagger

3/4/2019

"Spanish Dagger" 24" x 40" Briscoe Western Art Museum Auction 2019

I aimed to muster up the best of the Texas brush in "Spanish Dagger". Each year the lure of the whitetail increases with each passing day as fall nears. Bucks can be monsters in the brush and this guy was a brute. It is all about the buck and the yucca, both of which are aptly nicknamed "Spanish Dagger".

In South Texas, seasonal colors vary from year to year depending on temperatures. I've been there when barely a sprig of green is evident and then other years, like the one in the painting, summer hugs winter allowing for extended growing season creating a thick yet airy lushness as rain allows.

"Spanish Dagger will be at the Briscoe Museum of Western Art, live auction March 29.

"Horns at Honey Creek" is reminiscent of scenes throughout Texas, however, this is set west of San Antonio. Love of family and land kept this second painting close to home. My grandparents arrived as children in Galveston, TX from Germany in the 1880s. They met, married and purchased 239 acres, not 10 miles from where I grew up in Central Texas. We all have stayed in Texas since.

Longhorns captured my imagination early on. Self-reliant, rugged and the mascot for the University of Texas in nearby Austin, longhorns dotted the landscapes of ranches throughout Texas and were accessible subjects for me to paint.

"Horns at Honey Creek" is in the Hill Country. I'm unsure if the creek got its name from the color or the taste, but I imagine it's probably a little of both. The dappled light of the shade play on the pattern of the longhorns. Summer is ending with cooler days on the way.

"Horns at Honey Creek" 24" x 32" Briscoe Western Art Museum, Night of Artists 2019

"Western Winds"

8/26/2018

"Western Winds" 24" x 36"

Just doing their thing. That is strength. That is the feeling I had when watching these bison. Blustery weather arises. Grit can blow and wind can sweep, yet they carry on. I aimed to capture their genuine strength.

Source of inspiration is important. Originality is a strong goal. The term. "original content" is thrown around often. I hear it when mentioning movies, music, and art. It is difficult to be original.

Nature provides the best ideas. Experiencing it first hand infuses the mind with exciting stories to tell.

The internet and social media are hurdles. I'm only on Linkedin not because I'm not social; I don't do my best work when I see too much of the same content. I have also found a need to limit technology in the studio. I have internet, I stream music, but I limit browsing. I've heard it argued that artists from the past would have used the tools of modern technology if available. Maybe so, but would their art be better for it? Probably not.

Others have differing viewpoints, but this is what works for me. I'm not a technophobe, I just believe it can homogenize and sterilize, like synthesizers in music. The quirks of the human hand bring warmth and soul.

I really don't like talking much about it. The art should say it. Proof should be in the painting.

Looking forward! Gearing up for some Texas whitetail! Our bucks are the best yet. Almost all have rubbed off their velvet and are beginning to bulk up. Can't wait for the show!

"Under American Skies"

6/8/2018

I am finishing up several paintings. "Under American Skies" 36" x 48" is on the easel awaiting a frame. I'll do the finishing touches; something may catch my eye to change.

I had this picture of the landscape in my files for years, waiting for the right idea. I came across it recently and it clicked. The title needed to be fitting of the beauty of bison on the western prairie. I love the western expanse and wanted to do justice to its depth. I kept in mind the peacefulness of the prairie and the grazing bison and thought the silver-toned light would give an air of tranquility.

On the easel is a large whitetail for InSight Gallery. I love the feeling of stepping into the scene! I have spot-on reference. I've gathered a good amount of reference over the years and I'm making strides in getting more these days. Legwork is essential. Reference trips this fall should solidify a couple of ideas I have simmering.
Stay tuned!

Coming Along

4/13/2018

They're in the works. Several paintings are in the studio at various stages of completion. I'm eager to get locked-in at the easel and get to work.

This week I'm attempting to finish a Rio Grande Turkey painting from a recent trip to the valley.

I have only painted perhaps one other spring Rio Grande Turkey painting and it is well overdue. A real joy to paint!

I have a ways to go, but it's coming along.

The two toms are attempting to entice the hens. The one tom is almost in full strut and is anchored along with the other tom by the yucca in the background.

My goal was to paint a strutting tom without the "Thanksgiving" look. I really wanted to have the tall yucca but not have it overpower the birds. I went through a myriad of designs. By trial and error, I found that anchoring the strutting tom with the yucca negated each from becoming too much a focal point. The tom with his head high demands attention, creating a natural eye flow. That's the idea. It will head to InSight Gallery in Fredericksburg on completion.

Sharing my attention is a grizzly painting for Legacy Gallery, Jackson Hole. It's cooking so to speak. It's coming along as hoped and planned. I've made a real effort to get back to creating natural and honest paintings. You go out and learn all the tricks only to strip it back down and go acoustic. I think this is true in most of life. Plan to post it soon. Stay tuned!

Small Paintings

11/13/2017

"Fall Forager" 11" x 14" Holiday Miniature Show - Legacy Gallery

Legacy Gallery

A couple of posts ago I mentioned I had put aside a couple of miniature paintings. Reworked, a couple of answers later and this is the result. Each painting really is a journey and I enjoyed where this black bear lead me.

"Tadai" 10" x 15" Holiday Miniature Show - Legacy Gallery

I always enjoy the opportunity to paint roadrunners. The Tohono Oodham, Native Americans gave the name Tadai to this medicine bird which lives in the Southwestern U.S and into Mexico.

Transitioning from the miniatures to a 60" x 45" painting is stimulating! Just right outside of my studio window, the whitetail are in all-out rut. Our frequent red fox is in full coat. I harness my enthusiasm and settle in to paint; I have a long list and time is always too short. Cooler temps and fall colors. Opportunities are endless, stay tuned!